King Krule — "Out Getting Ribs" (Church of Nobody):
And hate runs through my blood
Well my tongue was in love
But my heart was left above
I've got to be leaving now
I thought I'd never be shot down
But girl I'm black and blue
So beaten down for you
Well I'm beaten down in bloom
I genuinely wonder how someone makes a song like this.
Jan 11, 2026
Fontaines D.C. — "You Said" (Live from A Night at Montrose, Dublin):
I got into this band last year, especially during M&A diligence — they were on constant rotation. For this show, the band played the entire record front to back and the cinematography is incredible. This was a standout performance for me.
Jan 10, 2026
The Voidz — "The Outro" – Secret Show, Live in Venice:
On the back of all the things you gave
If only I was zooming on the moon
I've been in Los Angeles too long I think
Singing songs I never thought I would
Singing in a style I didn't think I'd ever understand
Take it like a California breeze
Grew up on the car horns and city noise
Didn't know the quiet oh oh
I remember walking around my neighborhood and listening to this setlist for months during the pandemic. There's something about these lyrics that hit differently knowing what came next. The LA references, the sense of being somewhere too long, singing in ways you didn't expect — it all feels like the end of an era captured in real time.
Jan 10, 2026
Four Tet — Live at Sydney Opera House:
I came to Four Tet pretty late, and this set was my introduction. It's one of those performances I keep coming back to — just put it on and let it run. There's something about the setting, the sound, and the way the whole thing builds that makes it feel less like a DJ set and more like a single long piece of music. A perfect starting point if you've never listened.
Jan 10, 2026
Dieter Rams:
Limit everything to the essential but do not remove the poetry.
This is the hardest balance in any craft. Stripping things down is easy — you just cut. But knowing what to protect, the parts that give something its soul, that takes real taste. The best products, the best writing, the best code — they all feel simple, but there's a warmth to them. Something human made it through the editing process.
It occurs when the model produces outputs that are less diverse than expected, effectively "collapsing" to generate only a few modes of the data distribution while ignoring others. This phenomenon undermines the goal of generative models to capture the full diversity of the training data.
A few things that stand out to me about this:
It's not just a model problem — people mode collapse too. You settle into the same patterns, the same solutions, the same responses to situations, and stop exploring the full range of what's possible.
The most interesting work comes from the edges of the distribution, not the center. When a model (or a person) only produces "safe" outputs, you lose the unexpected ideas that actually move things forward.
Diversity of input matters. If you only consume the same sources, talk to the same people, and work on the same kinds of problems, you're training yourself toward collapse.
As everything around us has become more complicated our understanding of technology has diminished. It used to be that we needed to understand our tools deeply but today we understand them in a shallow, abstracted way.
What an incredible and beautiful resource.
Jan 10, 2026
Arctic Monkeys — "That's Where You're Wrong":
Jealousy in technicolor
Fear by name, love by numbers
Street lamp amber, wanderlust
Powder in a blunderbuss
These four lines are so evocative — "jealousy in technicolor" and "fear by name, love by numbers" pack so much into so few words. There's something cinematic about the imagery too. Alex Turner makes it sound effortless.
Jan 10, 2026
Rado True Square by Tej Chauhan.
Jan 9, 2026
Winter in Seattle has me missing Los Angeles. Soon.
Jan 9, 2026
Back at home and enjoying Pantheon.
Jan 9, 2026
Altitude sickness is not fun. It's been a long week in Boulder.
Jan 9, 2026
Reminds me of my childhood.
Jan 4, 2026
Just came back from a 4.5 mile walk in the rain. I feel alive.
Jan 4, 2026
Got a haircut – feels good. 💇♂️
Jan 3, 2026
Olivia Rodrigo & Feist — "We're Going to Be Friends" (White Stripes cover, Rock Hall 2025):
I wish Feist released a bunch of covers.
Jan 3, 2026
Weekend goal: get some rest after non-stop vibe coding and debugging.
Jan 2, 2026
Carlo Rovelli:
The world is not a collection of things, it is a collection of events. A stone is prototypical 'thing': we can ask ourselves where it will be tomorrow. Conversely, a kiss is an 'event.' It makes no sense to ask where the kiss will be tomorrow. The world is made up of networks of kisses, not of stones. On closer inspection, in fact, even the things that are most 'thing-like' are nothing more than long events.
Even the things we think of as permanent and solid are really just slow-moving events. Makes you pay more attention to what's happening rather than what you think you have.
Jan 2, 2026
The Bhagavad Gita (translation by Edward Viljoen):
That Self within you is without senses, yet it functions through the senses. It is beyond time and form, completely independent; and it supports all things and enjoys the play of creation. It is indivisible yet appears divided into many parts. It is creator, preserver, and destroyer all at once. It is the object and source of all wisdom.
The roles we play (creator, preserver, destroyer) aren't separate identities but different expressions of the same thing. Easy to forget when you're deep in the day-to-day and each responsibility feels like its own world.
Jan 2, 2026
Coded so much over the last few days. This holiday season has been incredible with all of the new AI tools — being able to vibe so many ideas into existence has been awesome. It feels like everyone I know is doing the same thing. I keep refreshing X every few hours and there are more amazing apps, games, and scripts that people are building. What a time to be a software engineer.